Close-up - making some dialogue section more intimate

Make use of an effective 'close-up' - in the middle of a stretch of dialogue.

You could bring your two characters (best with two) nearer the microphone - into position number 2 - for a 'close-up shot'.

Look for script that needs these CLOSE-UPS - and if there is none in a scene which could benefit from this, then RE-DRAFT and put this 'close-up' dialogue into the scene.

 

Make use of an effective 'close-up' - near the end of a scene.

You could bring your two characters (best with two) nearer the microphone - into position number 2, and so the last phrase of the dialogue is intimate - closer to the audience, and a 'close-up' shot.

You can even bring the characters (best with two) into position number 2 for longer, and place them further away again, at position number 3.

See - Filmic - styles of radio drama directing and post-production which creatively relate to film

See -  Filmic - Perspective explained by film shot analogy

See microphone positions

 

BENEFIT OF 'CLOSE-UP'

This prevents 'stand and deliver' acting, and enables you to bring more subtlety and variation into a dialogue scene.

Look for script that needs these CLOSE-UPS.

 

 

 

 

 

 

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See also Alan Beck's site on 'MAKING A RADIO SOAP (SERIAL DRAMA) - a fixed-end soap' at http://www.savoyhill.co.uk/soap/index.html

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