Radio Drama - directing, acting, technical, learning & teaching, researching, styles, genres

Step by step instruction from Alan Beck.

Learn about radio drama on this site along with my book - Beck, Alan, Radio Acting, London: A & C Black (1997) ISBN 0-7136-4631-4

This is a complete curriculum of scripts, techniques, advice, sound files - effects and atmoses (with no copyright and so free to use), detailed script commentaries, etc. -

 STARTING

 STUDENT

RESEARCH

TEACHER

THEORY

 INDEX

 LESSON PLAN

 RADIO SOAPS

 'WRAP PACK' SOAP

 BBC EDITORIAL GUIDELINES

 COPYRIGHT

 AUDITIONS

 ANALYSING RADIO DRAMA

 DIRECTING THE ACTOR

FREE SOUND FILES

Latest web site - Radio Soap (serial drama) - HOW TO - advice by Alan Beck - production, scripting, post-production, marketing, web site, 'logging' .....

You are welcome to use this material with no copyright restriction. Radio drama benefits! IF YOU HAVE COMMENTS, PLEASE EMAIL TO : radio@savoyhill.co.uk

Academic material on this site is © Alan Beck. See more of Alan Beck's work at http://interact.uoregon.edu/MediaLit/WFAE/readings/beck/

ON THIS SITE

First QUESTIONS - 'HOW DO I'

 Opening issues

 Setting the scene

 Structuring the plot

 Production issues in detail

 Styles of production, directing and post-production

 Theoretical issues & writing-up your project

 Experimental pieces and being adventurous

 ADVICE ON HOW TO USE THIS SITE

 To Index 'A' to 'Z' for this site - use to navigate

Opening issues 

 Here are some opening statements - creative - about training as a radio drama director

 Here is how you start - at the beginning of each radio scene.

Top of the scene
 microphone positions

 Types of plays for you to work with

You will find advice on EXPERIMENTAL radio drama pieces - being as creative as you can.

Picture of a radio drama studio, with wooden stairs and curtain.

This site is 'Radio Drama Techniques - Training as a radio drama director'.

Setting the scene

 Silences and the overall design

   silences 

     hook

    signposting

 Description

Atmos bed
 establish presence 

 scene boundaries

  scene boundaries - more

  Perspective 

 sound centre and   Point of listening = POL

 To index 'A' To 'Z'

Structuring the plot

   Narrative

   protagonist-dominated

 Narrator

    closure (ending)

   use a 'mystery'

 Realism
   

 To index 'A' To 'Z'

Production issues in detail - THREE PHASES OF PRODUCTION

   address 

    naming

  record 'umms' from all the characters to store

    scene structure

  dialogue is more than words

      SOUND BOX - production sound effects archive

 Getting PRESENCE into the scene - the sense of a character being 'in'

 atmos and soundscapes

  double frame - triple frame

  clustering 

 underscoring music - fighting the dialogue

    Noise
   'moving camera' technique

  Music

   montage

 'Will you turn that music down!'

18-second rule 

  drop-ins

  sound pictures

 memorability 

 number the scenes carefully with a system
 voice in the mind = interiorizing

 time-space rule or jump cut

Styles of production, directing and post-production

  Standard production

 Genre (academic) and types of plays

   Storyboard - different types and how to make it work for you

    chaining sentences - (characters or character and narrator)

  doubling sentences - overlapping

(narrator and protagonist) 

  economy rule 

 THREE PHASES OF PRODUCTION
 

 To Index 'A' to 'Z' for this site - use to navigate

Acting

 OBJECTIVE - What the character is trying to achieve

 DIRECTING THE ACTOR

 subtext

Auditions

 Short introduction to Auditions

 AUDITIONS 2

 AUDITIONS 3

Training scripts

 Level One: Your first script: 'The Ark' production and script for seven actors and seven production team
 Level Two: Your second Script: 'The Ouija Board'
 Level Three: Acting : objective-choice-action
 Acting : some key terms for the actor and director
 Level Four: Creative scripting and production exercises - hook and signposting, & montage, & music
 Level Five: How to produce a TRAIL - What is signposting? & Some advice about radio drama directing as a student

Level Six

 Directing the Monologue

 Questions for the Director and Actor

 Monologue Scripts

 Level Seven : Script: 'We Go With'

Level Eight

 Scripts: Dragon
 Colourlands
 The Egg-stremists
 Warm Up Act

SOAP PROJECT (RADIO SERIAL DRAMA)

 Soap Project - INTRODUCTION
 
 

 

Theoretical issues & writing-up your project

Begin with Analysing radio drama

writing up your student project work (critique)

 realism 

 symbol system 
  language based =  logocentric  

 What is radio theory for?

 Theory - what is it?

 Voice
 Radio Drama Reading List

 FORMALISM

 Political economy approach

 Text
 
     

SO AFTER ALL THAT - WILL I GET A JOB AS A RADIO DRAMA DIRECTOR? ACTOR?

Picture of a radio drama studio - with screens - looking towards window of cubicle (director's room)

This site is 'Radio Drama Techniques - Training as a radio drama director'.

Experimental pieces and being adventurous

 EXPERIMENTAL radio drama pieces

 Prologue - especially for an experimental piece
 

 quarter-layering (experimental piece technique)
   
 

 To Index 'A' to 'Z' for this site - use to navigate

Links

BBC's 'writersroom' at http://www.bbc.co.uk/writersroom/

includes: Writers' Guidelines, How to lay out a radio script

Read examples of BBC television and radio scripts at http://www.bbc.co.uk/writersroom/insight/script_archive.shtml

This site is 'Radio Drama - directing, acting, technical, learning & teaching, researching, styles, genres'.

This is part of a complete curriculum of scripts, techniques (acting & directing & post-production & genre styles), advice, sound files - effects and atmoses (with no copyright and so free to use), detailed script commentaries, etc. You are welcome to use these sites with no copyright restriction.

 The url of this site, 'Radio Drama Techniques', is: www.savoyhill.co.uk/technique
 To Alan Beck's Radio Hub at http://www.savoyhill.co.uk
 To Alan Beck's HOME PAGE at www.savoyhill.co.uk/alan
 See more of Alan Beck's work at http://interact.uoregon.edu/MediaLit/WFAE/readings/beck/
  IF YOU HAVE COMMENTS, PLEASE EMAIL TO : radio@savoyhill.co.uk

ADVICE ON HOW TO USE THIS SITE

This site is in development, for teaching and research. It was started first for BBC project 'Voices' - workshop conducted by Alan Beck for BBC local radio producers 28-4-2003 with Matthew Linfoot, Senior Lecturer, Westminster University, London.

Use this cluster of sites for learning about radio drama production. If you are a student, and you need also to write reflectively about your practical work (a critique), you will find ACADEMIC advice too (theory terms and explanations, and guidance). Additions will be made to this site regularly.

NAVIGATING THE SITE

 To index - This will give you an A to Z of all the content of this site.
 Note: If the text is too small for you to read, go to VIEW on the top toolbar, then TEXT SIZE, and choose MEDIUM, LARGE or LARGER.
 Navigate this site using the back arrow on the top left of the screen.
 Use the FAVOURITES on the top toolbar, and create a FOLDER for this site 'Radio Drama Techniques', and FAVOURITE the WELCOME PAGE, and also various other pages in the site. So you can go to FAVOURITES, then the folder 'Radio Drama Techniques', and click on whatever you need. So nagivation around the site becomes quicker.
 Copy and paste it into WORD in the following way - ON THE WEB PAGE - Select what you want to copy Or (if all - from the Top Toolbar) EDIT and then SELECT ALL - OPEN WORD - Edit - Paste Special - Unformatted Text
 Use QUESTIONS - 'HOW DO I' - to navigate this site.

Disclaimer

Any opinions expressed in this site are the personal opinions of the owner of the site. IF YOU HAVE COMMENTS, PLEASE EMAIL TO : radio@savoyhill.co.uk